Concerto No. 2 A minor for violoncello and and 50 similar items
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Concerto No. 2 A minor for violoncello and orchestra. Op. 14. Piano score and pa
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View full item details »
Shipping options
Return policy
Refunds available: See booth/item description for details
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
Category: | |
---|---|
Quantity Available: |
10 in stock |
Condition: |
New |
EAN: |
9790660046548 |
author: |
Davydov Karl |
binding: |
Paperback |
format: |
Paperback |
brand: |
Compozitor (SPb.) |
edition: |
1 |
manufacturer: |
Compozitor (SPb.) |
Number Of Pages: |
56 |
Publication Date: |
2009-01-01 |
ISBN-10: |
0660046547 |
Listing details
Seller policies: | |
---|---|
Shipping discount: |
No combined shipping offered |
Posted for sale: |
More than a week ago |
Item number: |
959602253 |
Item description
Karl Yulyevich Davydov (1838รข??1889) is the distinguished Russian cellist, conductor, composer, musical figure. His activity was tightly connected with the St. Petersburg Conservatoire, where many generations of performers were bred by him during the period of 1862รข??1887 having been its director from 1876 to 1887. Among Davydovรข?s compositions there are the symphonic poem รข??Terekรข?s Giftsรข?, 4 concertos for cello and orchestra, chamber-instrumental and chamber-vocal opuses, so as the Cello School. Concerto No. 2 for Cello op. 14 A minor and Orchestra takes special place in Davydovรข?s heritage. It refers to 1863, embodying the best features of Davydov-composer and brilliant cellist virtuoso. As the previous Davydovรข?s cello Concerto No. 1 B minor continued the tradition of B. H. Romberg (1767รข??1841), famous German cellist and composer, the Con-certo No. 2 op.14 manifests Mendelssohnรข?s and Schumannรข?s ideas. The themes are getting nourished with clearly recognized individual Davydovรข?s nature. Virtuosity ceases its abstract technical existence, being plaited to the conception itself. Orchestraรข?s function becomes significant in the whole dramaturgic development. The composition is called a concerto, when it is given the true masterly cadenza, like the one evolving according to the dramaturgic outline and pouring out in the first movement of the op. 14. Gentle lyricism, striking virtuosity and excellently wrought score make for this Concertoรข?s attractiveness and success at the concert stage.
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