Popular Melodies Arranged for Children's and 50 similar items
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Popular Melodies Arranged for Children's Violin Ensemble. Educational aid for mu
$17.64
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View full item details »
Shipping options
Return policy
Refunds available: See booth/item description for details
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
Category: | |
---|---|
Quantity Available: |
10 in stock |
Condition: |
New |
EAN: |
9790352207837 |
author: |
Various authors |
binding: |
Paperback |
format: |
Paperback |
brand: |
Compozitor (SPb.) |
edition: |
1 |
manufacturer: |
Kompozitor |
Number Of Pages: |
120 |
Publication Date: |
2015-01-01 |
ISBN-10: |
0352207833 |
Listing details
Seller policies: | |
---|---|
Shipping discount: |
No combined shipping offered |
Posted for sale: |
More than a week ago |
Item number: |
958596511 |
Item description
Why do you think children who are studying music, need to play in an ensemble? Correct! Very few can become soloists, but everyone will participate in an ensemble, regardless of their capabilities. Playing in an ensemble liberates motor skills and help to stabilize psychophysical condition of the students. Many children admit that they feel much calmer and more confident on stage while playing in an ensemble than during solo performance. Participation in ensemble class is one of the most important forms of childrenâ?s musical education because collective music-making best serves to introduce children to the music culture, and above all, develops such important qualities as sense of responsibility for ones work, ability to criticize and also accept criticism. Working with a collective, especially with children, is a very complex pedagogical and psychological process: children, especially in awkward age (9â??13 years old), have very vulnerable psyche, therefore the director of the ensemble must be extremely tactful, well-balanced, make remarks without humiliating students personality, and it is better not in front of everybody, but rather one on one with the student.Contents:L. Smolyanskaya. From the compilerD. Shostakovich. SAD SONG. From the operetta â??Moscow, Cheryomushkiâ?P. Tchaikovsky. NEAPOLITAN SONGV. Temnov. MERRY QUADRILLEL. Kehler. TYROLEAN SONGD. Shostakovich. SENTIMENTAL WALTZ. From the Ballet SuiteKARELIAN-FINNISH POLKAD. Robles. FLIGHT OF THE CONDORBEE. PolkaA. RamÐrez. WANDERERSG. Sviridov. MILITARY MARCH. From the musical illustrations after Pushkinâ?s novel â??The Snowstormâ?D. Shostakovich. DANCE. From the Ballet SuiteB. Shelomov. FANTASY ON THEMES OF SONGS BY I. DUNAYEVSKY
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