George Grosz in America 1933-1958 and 50 similar items
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George Grosz in America 1933-1958
$33.66
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Estimated to arrive by Thu, Oct 30th.
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View full item details »
Shipping options
Estimated to arrive by Thu, Oct 30th.
Details
FREE via USPS Media Mail (2 to 9 business days) to United States
Offer policy
OBO - Seller accepts offers on this item.
Details
Return policy
Full refund available within 30 days
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
Category: | |
---|---|
Quantity Available: |
Only one in stock, order soon |
Condition: |
Very Good |
ISBN: |
1891925318 |
Author: |
GROSZ, George and Stephanie D'Alessandro |
Book Title: |
George Grosz in America 1933-1958 |
Language: |
english |
Format: |
paperback |
Publisher: |
The Arts Club of Chicago |
Seller Notes: |
Listing details
Shipping discount: |
No combined shipping offered |
---|---|
Posted for sale: |
More than a week ago |
Item number: |
1766228914 |
Item description
Birkitts Books presents ...
George Grosz in America 1933-1958
ISBN:
1891925318
Author:
GROSZ, George and Stephanie D'Alessandro
Publisher:
The Arts Club of Chicago
Release Date:
2010
Seller Category:
Art Exhibition
Qty Available:
1
Condition:
Used: Very Good
Sku: 250207001
Notes: Minor shelf wear, light soiling to wraps, binding tight, pages clean and unmarked. The American work continues to reflect Grosz?s position within, and in relation to, society. He understood his previous antagonistic posture was not sustainable in America and attempted to ?adapt properly to the American way of life.? He used self-portraiture to portray the outcast, and the trauma of exile as in Self-Portrait with Bird of Prey and Rat (1940). His portrayal of war and man?s propensity for war appears in the early battle works, both in oil and on paper, and in the later figures of stickmen and the painters of the hole, representations of man?s inhumanity and spiritual vacuum. Among his more difficult pictures to reconcile are the paintings of lone female nudes in the landscape such as Nude in the Dunes (1948). Continually haunted by war, violence, displacement and exile, Grosz?s art is as tough as his epoch, offering little transcendence or catharsis.A catalogue accompanies the exhibition with an essay by Stephanie D?Alessandro, Gary C. and Frances Comer Curator of Modern Art at the Art Institute of Chicago. 24 pages, illustrated in color, includes a chronology.
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