Hangover Music Vol. VI by Black Label and 50 similar items
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Hangover Music Vol. VI by Black Label Society (Zakk Wylde) (Audio CD, 2021)
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Estimated to arrive by Fri, Mar 20th.
Details
$5.99 via USPS Media Mail (2 to 9 business days) to United States
Return policy
Full refund available for DOAs
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View full item details »
Shipping options
Estimated to arrive by Fri, Mar 20th.
Details
$5.99 via USPS Media Mail (2 to 9 business days) to United States
Return policy
Full refund available for DOAs
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
| Category: | |
|---|---|
| Quantity Available: |
Only one in stock, order soon |
| Condition: |
Brand New |
| Style: |
Pop Music Hall |
| Artist: |
Black Label Society |
| Format: |
CD |
| UPC: |
0634164628420 |
| Release Year: |
2021 |
| Record Label: |
Mnrk +ONE Music, eOne |
| Release Title: |
Hangover Music Vol. VI |
| Genre: |
Rock |
| Country of Origin: |
Germany |
Listing details
| Seller policies: | |
|---|---|
| Shipping discount: |
Items after first shipped at flat $4.00 |
| Posted for sale: |
March 4 |
| Item number: |
1796253858 |
Item description
Hangover Music Vol. VI by Black Label Society (Zakk Wylde) (Audio CD, 2021)
eOne Heavy EOM-CD-46284
Black Label Society - Hangover Music Vol. VI
Digipack CD
Tracklist:
1) Crazy or High
2) Queen of Sorrow
3) Steppin' Stone
4) Yesterday, Today, Tomorrow
5) Takilya (Estyabon)
6) Won't Find It Here
7) She Deserves A Free Ride (Val's Song)
8) House of Doom
9) Damage Is Done
10) Layne
11) Woman Don't Cry
12) No Other
13) Whiter Shade of Pale
14) Once More
15) Fear
Hangover Music Vol. VI is the sixth release from Black Label Society, hence the ?Volume 6? in the title. The album contains a piano version of Procol Harum?s 1967 No. 1 ?Whiter Shade of Pale? and a song entitled ?Layne,? which is written in memory of Layne Staley of Alice in Chains.
The song ?No Other? is a leftover track from The Blessed Hellride sessions, which explains why Zakk Wylde played bass on this song, whereas other bassists played on the rest of the album. The song was also recorded, mixed, and mastered by the same team that was responsible for the production on The Blessed Hellride.
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