Seeing the Centre: The Art of Albert and 50 similar items
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Seeing the Centre: The Art of Albert Namatjira 1902-1959
$141.57
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Estimated to arrive by Fri, Oct 24th.
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View full item details »
Shipping options
Estimated to arrive by Fri, Oct 24th.
Details
FREE via USPS Media Mail (2 to 9 business days) to United States
Offer policy
OBO - Seller accepts offers on this item.
Details
Return policy
Full refund available within 30 days
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
Category: | |
---|---|
Quantity Available: |
Only one in stock, order soon |
Condition: |
Good |
Author: |
Alison French |
Book Title: |
Seeing the Centre : the Art of Albert Namitjira, 1902-1959 |
Language: |
English |
Topic: |
Native American |
Format: |
Trade Paperback |
Publisher: |
National Gallery of Australia |
Genre: |
Art |
Publication Year: |
2003 |
Illustrator: |
Yes |
Item Length: |
11.7 in |
Item Weight: |
34.4 Oz |
Item Width: |
9.5 in |
Number of Pages: |
166 Pages |
Listing details
Shipping discount: |
No combined shipping offered |
---|---|
Posted for sale: |
October 7 |
Item number: |
1772666589 |
Item description
Birkitts Books presents ...
Seeing the Centre: The Art of Albert Namatjira 1902-1959
ISBN:
0642541361
Author:
French, Alison
Publisher:
Australian Govt Pub Service
Release Date:
2002-12-01
Seller Category:
Art
Qty Available:
1
Condition:
Used: Good
Sku: 251006006
Notes: Ex-library book with the usual stickers/stamps/faults, rear inside cover and endpage has superficial damage from sticker removal. Albert Namatjira was a member of the Aranda people of Central Australia (now referred to as the Western Aranda or Arrernte language group). Following the success of his first solo exhibition in Melbourne in 1938, Namatjira became increasingly famous, with popular reproductions of his works being hung in countless Australian homes. The first prominent Indigenous artist to achieve household recognition in a modern idiom, Namatjira subsequently became a tragic figure set against the background of assimilation debates and entangled aesthetic prejudices of the time. His art became virtually ignored by the mainstream of the Australian art world. This book, especially commissioned by the Gordon Darling Foundation and the National Gallery for the centenary of Namatjira's birth, redresses this neglect.
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