Klaudt Indian Family - Where He Leads Me and 43 similar items
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Klaudt Indian Family - Where He Leads Me (1968) Vinyl LP โข Southern Gospel
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Estimated to arrive by Thu, Nov 6th.
Details
FREE via USPS Media Mail (2 to 9 business days) to United States
Offer policy
OBO - Seller accepts offers on this item.
Details
Return policy
None: All purchases final
Purchase protection
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PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
View full item details »
Shipping options
Estimated to arrive by Thu, Nov 6th.
Details
FREE via USPS Media Mail (2 to 9 business days) to United States
Offer policy
OBO - Seller accepts offers on this item.
Details
Return policy
None: All purchases final
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
| Category: | |
|---|---|
| Quantity Available: |
Only one in stock, order soon |
| Condition: |
Used |
| Style: | |
| Speed: |
33 RPM |
| Record Size: |
12" |
| Duration: |
LP |
| Record Grading: |
Very Good (VG) |
| Sleeve Grading: |
Very Good Plus (VG+) |
| Record Label: |
Family-Tone Records |
| Release Year: |
1968 |
| Country/Region of Manufacture: |
United States |
| Artist: |
Klaudt Indian Family |
Listing details
| Seller policies: | |
|---|---|
| Shipping discount: |
Seller pays shipping for this item. |
| Price discount: |
10% off w/ $75.00 spent |
| Posted for sale: |
More than a week ago |
| Item number: |
1715182510 |
Item description
Catalog Number: KF-907
Condition Details:
Vinyl plays with crackles and some clicks (play-graded). Cover looks good; a few creases near edges; light-scuffing (front/back); some surface impressions on front; slight discoloration with darker discoloration spots on back. Inner-sleeve is generic white. Spine has no text and shows little-wear. Little shelf-wear along top-edge, a few wear spots on bottom edge; wear to corners. Opening is crisp with signs of use and divots. (Not a cut-out.)
Tracks:
Where He Leads Me (Klaudt Indian Family Mixed Trio )
When The Lord Comes A-Knocking (Klaudt Indian Family Mixed Trio )
He Knows How Much We Can Bear (Kenny Klaudt )
A Child Of The King (Klaudt Indian Family Mixed Trio )
Ship Ahoy (Vernon R. Klaudt )
Honey In The Rock (Klaudt Indian Family Mixed Trio and Kenny Klaudt )
To Me Its So Wonderful (Klaudt Indian Family Mixed Trio )
His Hand In Mine (Vernon R. Klaudt and Betty Klaudt )
Joy Unspeakable (Klaudt Indian Family Mixed Trio )
If I Can Help Somebody (Mom Klaudt and Klaudt Indian Family Mixed Trio )
Teach Me Lord To Wait (Klaudt Indian Family Mixed Trio )
No More (Klaudt Indian Family Mixed Trio )
About The Record:
Where He Leads Me, is a record of gospel songs by The Klaudt Indian Family. Reverend Reinhold Klaudt was a German cattleman who, in 1929, married Lillian White Corn Little Soldier of the Arikara-Mandan tribe of Indians. She was a direct descendant of one of General Custer's scouts at the Battle of Little Big Horn and also a descendant of Chief Sitting Bull. Their story began on the Fort Berthold Indian Reservation in North Dakota. Together, they raised a family dedicated to spreading the gospel through song. Originally from "the badlands of North Dakota," the Klaudt Indian Family traveled the countryside spreading the gospel. The Klaudt Indian Family began performing with Mom and Dad Klaudt, Vernon, Ramona, and Melvin. The other siblings joined the group as the years passed. Dad Klaudt left the performing group after several years to concentrate on being the business manager for the group. The Klaudts settled in the Atlanta area and soon began traveling across the country holding revival services and singing in gospel concerts. The Klaudt Indian Family featured various instruments in their program including the upright bass, trumpet, tenor saxophone, baritone saxophone, trombone, and piano. Their music had a jazz flavor that helped open doors to the group previously unknown to the typical gospel quartet. They were also one of the first gospel singing aggregations to use a custom designed motor coach in their travels and also used semi-trucks to haul tent equipment that would expand to a seating capacity of 3,000.
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