Rare 1988 Signed & Numbered 27/50 Edgar and 50 similar items

1988 Hand Signed Numbered 27/50 Edgar Alvarez Estrada - Ruido de las Esperadas - Art Print. Frame measures 29 by 23 inches. Lithographic print is framed in excellent condition as displayed in the photo gallery. A scarce piece. Shipped with FEDEX Ground, and USPS International Shipping. Born in 1950, Edgar Alvarez Estrada grew up during the 1960s and was influenced by the artistic culture of the time. Art turned into a vehicle for dogmas and other agendas, with Pop and Minimalism appearing simultaneously as the most defining art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting stimulated by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first elements of what would be known as Conceptual art were blossoming. Minimalism established the central idea that art should subsist in its own reality, and not try to mimic the real world. Born of a desire to erase all pre-established conceptions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key actors. Minimalism became influential through the works of artists such as Victor Vasarely and Bridget Riley, while Pop art was an essential by-product of the latter, simultaneously critiquing and glorifying popular culture. The iconic contemporary art movements that echoed through the wave of radicalism of the 1960s also had their own distinctions and scopes, distinctive to different regions or countries. Spatialism, for instance, was founded in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Throughout Europe, the ideologies of Existentialism strongly influenced artists such as Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often associated with reflections on death and the haunting anxiety of the meaninglessness of life.