. Sant’ Ilario: written by F. Marion and similar items

Crawford was born in Bagni di Lucca, in the Grand Duchy of Tuscany, on August 2, 1854. He was the only son of the American sculptor Thomas Crawford and Louisa Cutler Ward. His sister was the writer Mary Crawford Fraser (aka Mrs. Hugh Fraser), and he was the nephew of Julia Ward Howe, the American poet.[2] After his father's death in 1857, his mother remarried to Luther Terry, with whom she had Crawford's half-sister, Margaret Ward Terry, who later became the wife of Winthrop Astor Chanler.[3] He studied successively at St Paul's School, Concord, New Hampshire; Cambridge University; University of Heidelberg; and the University of Rome.[1] In 1879, he went to India, where he studied Sanskrit and edited in Allahabad The Indian Herald. Returning to America in February 1881, he continued to study Sanskrit at Harvard University for a year and for two years contributed to various periodicals, mainly The Critic. Early in 1882, he established his lifelong close friendship with Isabella Stewart Gardner.[4] During this period he lived most of the time in Boston at his Aunt Julia Ward Howe's house and in the company of his Uncle, Sam Ward. His family was concerned about his financial prospects. His mother had hoped he could train in Boston for a career as an operatic baritone based on his private renditions of Schubert lieder. In January 1882, George Henschel, conductor of the Boston Symphony Orchestra, assess his prospects and determined Crawford would "never be able to sing in perfect tune". His Uncle Sam Ward suggested he try writing about his years in India and helped him develop contacts with New York publishers.[5] The Saracinesca series is perhaps known to be his best work, with the third in the series, Don Orsino (1892) set against the background of a real estate bubble, told with effective concision. The second volume is Sant' Ilario [Hilary] (1889). A fourth book in the series, Corleone (1897), was the first major treatment of the Mafia in literature, and used the now-familiar but then-original device of a priest unable to testify to a crime because of the Seal of the Confessional; the novel is not one of his major works, having failed to live up to the standard set by the books earlier in the series. Crawford ended Rulers of the South (1900) with a chapter about the Sicilian Mafia