Original 1857 Wood Engraving "The Beggar and similar items
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Original 1857 Wood Engraving "The Beggar Maid" – by William Holman Hunt
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Estimated to arrive by Mon, Nov 24th.
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FREE via USPS Priority Mail (2 to 3 business days) to United States
Offer policy
OBO - Seller accepts offers on this item.
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PayPal accepted
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View full item details »
Shipping options
Estimated to arrive by Mon, Nov 24th.
Details
FREE via USPS Priority Mail (2 to 3 business days) to United States
Offer policy
OBO - Seller accepts offers on this item.
Details
Return policy
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
| Category: | |
|---|---|
| Quantity Available: |
Only one in stock, order soon |
| Condition: |
Unspecified by seller, may be new. |
| Date of Creation: |
1800-1899 |
| Original/Reproduction: |
Original Print |
| Listed By: |
Dealer or Reseller |
| Size: |
Small (up to 12in.) |
| Height: |
3.75" image, 10" framed |
| Width: |
3.25" image, 8" framed |
| Features: |
Framed |
| Medium: |
Engraving |
| Artist: |
William Holman Hunt |
| Material: |
Wood Engraving |
| Framing: |
Professional Archival Wood Framing & Mat |
| Original/Licensed Reprint: |
original |
| Subject: |
Romanticism |
| Print Surface: |
Thick wove paper |
| Type: |
|
| Year of Production: |
1897 |
| Style: |
Pre-Raphaelite Brotherhood |
| Production Technique: |
wood engraving |
Listing details
| Shipping discount: |
Seller pays shipping for this item. |
|---|---|
| Posted for sale: |
November 13 |
| Item number: |
1778927911 |
Item description
?The beggar Maid? by William Holman Hunt Original 1857 Woodcut Engraved by T. Williams
First Edition Illustrated Moxon Tennyson
Original 1857 first printing wood engraving ? Not a copy or a modern reprint
New Conservation Framing including Custom 8ply Museum Mat UV Acrylic ? Wired and Ready to Hang.
On its first publication the Moxon Tennyson was neither a critical nor commercial success. This was in part due to the juxtaposition of radically different artistic styles and in part to its high price. It was also known that the poet did not approve of several of the Pre-Raphaelite illustrations; he thought that they exercised far too much artistic license.
Yet these intricate and daring designs were to have a dramatic impact on illustration. Between 1855 and 1870 the art of imaginative book and magazine illustration reached remarkable levels of quality and intensity. The Pre-Raphaelites were largely responsible for this transformation in English wood-engraving. They heralded a ?golden age? in which illustration was recognised as a stand-alone art form, no longer secondary to the text.
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